Anjesa Dellova Suisse, b. 1994
ohuuii, 2024
Oil on canvas
160 x 55 cm
This work is part of a series originating in a reflection on the representation of a collective male funeral ritual practiced in northern Albania, entitled Gjama. After a first series...
This work is part of a series originating in a reflection on the representation of a collective male funeral ritual practiced in northern Albania, entitled Gjama. After a first series of paintings presented as part of the Kiefer Hablitzel & Göhner Prize 2022, and a second iteration for a solo exhibition at Mayday, Anjesa Dellova continues her exploration of lamentations.
In this third series, she no longer attempts to depict this funerary ritual alone. The seventeen canvases are a deeper reflection: What does it mean to lament, and who do we lament? Who do we address when we lament? A dead person? A
people? The whole world? How do we represent suffering? What form does pain take?
In this third series, she no longer attempts to depict this funerary ritual alone. The seventeen canvases are a deeper reflection: What does it mean to lament, and who do we lament? Who do we address when we lament? A dead person? A
people? The whole world? How do we represent suffering? What form does pain take?
1
of
2